The Diversity and Dynamism of the Venice Biennale
It's the most diverse fair yet, with a record 77 nationalities represented among 90 artists.
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Art critic Jerry Saltz previews the annual art show and sees how the recession is affecting sales.
Melamid renders Curtis brooding in a romantic setting.
Not all of Loie Glasser's miniature armchairs are quite so ladylike, but this one sure is.
Brooklyn artist Caine has given our winter demons a face.
Jenny Laden's delicate watercolor lady, seemingly spun like an old-fashioned candy cane, has the dashing angularity of Nefertiti.
See the evolution of an Obama logo.
George W. Bush may have helicoptered off into the sunset yesterday, but artist Matthew McGuinness reminds that 43's legacy won't soon be forgotten.
Billi Kid's latest stencil, on view in D.C., imagines the future that begins ... today.
Renay, the late burlesque diva, gangster moll, and John Waters muse, occupied her reflective moments by painting erotic kitsch.
Golden's diorama-like installation turns a basement nook into what appears to be the cluttered vanity of a media-obsessed eighties teenager.
Spero has been plumbing the totems and taboos of the human (especially female) psyche for more than a half-century.
Half the charm of Laurent and Jean de Brunhoff’s drawings are in the titles.
T.S. Eliot said the bloody-minded playwright John Webster 'saw the skull beneath the skin,' and here artist Richard Aldrich demonstrates a similar X-ray aptitude.
Were you to encounter this bleak road sign, what would be the appropriate response?
We have a feeling Dan Clowes would like to go record shopping with her.
Amy Arbus remembers when Manhattan women used to wear fur bikinis in the wintertime.
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