$4,400,000 for a picture of the Rhine? We'd better brush up on Instagram-ing those boring foliage photos we took.
At Art Basel Miami, where lobsters at the UBS dinner on the beach are as big as cats, the overwhelming trend this year is size.
Ron Rocheleau, the one-man editing machine behind the mid-nineties Public Access hit Concrete TV, is back with a solo debut at Chelsea’s Cristinerose. After a thirteen-year hiatus from galleries, Concrete Ron has abandoned the crash footage, porn tapes, and B-movie clips of his TV days.