Two films in which girls talk dirty.
John Hillcoat's latest is dead weight: listlessly classical and then bludgeoning.
This film is a rare bird — one that pretends to be nothing more than it is.
Our movie, TV, music, and book critics each choose five.
Fluidity, choreography, patterns of flux within the frame — none of these interested him as much as fractured montage.
Frank Langella stars in this tale about an elderly ex–jewel thief and his robot assistant.
Fiction should just throw in the towel when it comes to modern American politics.
The Bourne films have wormed their way into the collective psyche the way the Bond movies did in the sixties.
This Meryl Streep flick is sure to pack them in on Movie and Bingo Night at the old-folks’ home.
This incarnation by Underworld and Live Free or Die Hard director Len Wiseman is just noise — aural and visual
Rashida Jones has co-written herself the “adorkable” role of Celeste in this seriously trying comedy.
The newest from the directors of Little Miss Sunshine is a thesis film, with one joke and one variation.
It's all rave and rage and purge acting in this dark, Texas-set film.
The art critic vs. the film critic.
Whatever else The Dark Knight Rises is or isn’t, it’s big — very big.
A real-estate billionaire and his wife get a taste of foreclosure in this documentary.
Guilt-inducingly so, given the ghastliness of its particulars.
At three hours, our critic sees what was missing from the panned, hacked-up version.
After soft-peddling sensationalism in his last three movies, Oliver Stone returns with a new maturity.
This is the movie with the talking bear, in case you hadn't heard.
We ought to shun cynical reboots like this. But for all its underlying cynicism, the new Spidey picture is pretty damn good.
Soderbergh's latest parable of how capitalism transforms sex into a soulless commodity is surprisingly enjoyable.
How does the award winner at Sundance and Cannes fare?
The generic title and mythic-female-empowerment posters for Brave don’t prepare you for the rollicking comedy to come.
And as a result, we found it hard to surrender to this gentle, wistful film.