Movie Review: Oliver Stone Is Back in His Element With Savages
After soft-peddling sensationalism in his last three movies, Oliver Stone returns with a new maturity.
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After soft-peddling sensationalism in his last three movies, Oliver Stone returns with a new maturity.
This is the movie with the talking bear, in case you hadn't heard.
The guys behind Star Trek and Transformers try their hand at a serious human drama set in the real world.
This time around, Madea just seems spent.
We ought to shun cynical reboots like this. But for all its underlying cynicism, the new Spidey picture is pretty damn good.
Soderbergh's latest parable of how capitalism transforms sex into a soulless commodity is surprisingly enjoyable.
How does the award winner at Sundance and Cannes fare?
Does any other American president have such an extensive fictional pop-culture mythos?
And as a result, we found it hard to surrender to this gentle, wistful film.
You might spend the whole movie beating your head against the floor to make it stop.
It’s hard to get on and harder to stay on Todd Solondz’s wavelength, but his films are worth the near-constant recalibrations.
One would expect tons of irony from stars Aubrey Plaza and Mark Duplass. Thankfully, this is not the case.
The stately prequel has none of Alien's visceral punch but no long dull stretches of cat-searching, either.
You can see the plot coming from Yasgur's farm.
There's still talent here in the performances of Josh Brolin and an underrated Jemaine Clement.
If you’re marveling at the irony of Americans and Japanese teaming up to fight an alien sneak attack at Pearl Harbor, you ain’t seen nothing yet.
Insipid gender dynamics and an unfocused plot sink this self-help-book-based comedy.
Sacha Baron Cohen's latest is loose and silly and occasionally exhilarating.
For a movie that deals with rape and criminality, Hick is whisper-thin and instantly forgettable.