"Even 'Casablanca' eventually becomes disappointing because it never changes."
We track down some Web video that shows just how cool the mysterious Milan project was.
Peter Greenaway’s newly released first two major films sum up the man’s classical composition and off-the-wall wit and symbolism.
Remember Peter Greenaway? No? Back in the eighties, he was heralded as the savior of international art-house cinema – dense in his themes, gloriously scatological in his plots, and possessing a keen sense of pictorial beauty.