He's going on tour!
He's going on tour!
In this Russian drama, Geoffrey Rush channels Daffy Duck.
Rinne Groff's ambitious new drama, 'Compulsion,' is about the man who first tried to turn Anne Frank's diary into a play, only to have it sentimentalized by Hollywood.
An early (and also fake) look at the Sondquel.
Newsies is coming!
Here we go again.
Four modest alternatives to arachnoid musical maximalism for those who simply like their theater to make sense.
Broadway on your iPad? Why not?
They say 'The Book of Mormon' isn't a parody of musicals. Thank God.
Not to be missed: A Chaplinesque clown show from the Parallel Exit troupe and a starmaking performance from Jeremy Gumbs.
Everyone is slightly miscast in Austin Pendleton's take on Chekhov's Sisters--and mostly that works to this production's advantage.
Characters in plays are an actuarial nightmare
As another of Tennessee Williams's randy old dowagers, Dukakis does the best she can with some truly strange text.
How to succeed in theater without really spending.
The Pulitzer Prize–winning author of 'Proof' returns with an adaptation of a mothballed drawing room comedy by a playwright no one has heard of. And perhaps for good reason.
'How to ****eed in Business Without Really ******' is a lot more compelling, isn't it?
The production reminds us what theater, at its simplest and most powerful, is really for: The alchemical thrill of watching an entire world conjured into being out of sheer wit and will.
British comedy hero Daniel Kitson's one-man show recounts how being a polite Brit can really put a damper on killing yourself.
And who doesn't want to see that? Ibsen's nasty John Gabriel Borkman is at its black-comic best when these two bite into it.
"Quicker than you can say 'All My Sons,'' our critic is hooked on polarized clans again.
Oscar Wilde's classic comedy is so ingrained in our shared comedy unconscious that it seems impossible to make fresh. That is, unless you're Brian Bedford.
The play is flawed — a majestic wallow set to the music of blue-collar despair — but the voice of playwright Tommy Nohilly is very promising.
This elaborate doomsday scenario about assassination, our ambient insanity, and its complex relationship with American politics was just a little too close for comfort after the events of this weekend.
Another vampire that sucks on Broadway, and two plays with amorous coupling for all ages!
What should I see again?