Plus, a 1994 profile of Farber the artist.
David Edelstein brings you an essay on Pollack's life — and in particular, his importance in front of the camera.
Why do audiences hate No Country?
A new post on the Projectionist covers a lot of ground.
Today David Edelstein throws his considerable critical weight into the controversy over whether real photos of injured soldiers belong in Brian De Palma's Redacted.
We’ve been doing a wee bit of coverage in anticipation of I’m Not There. So how is the damn thing, anyway?
David Edelstein has written a spirited defense of Brian De Palma’s next movie, Redacted.
We here at Vulture are pleased to welcome New York's film critic, David Edelstein, back to the blogging world with the launch of the Projectionist today.