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Theater Review: The Diva Paradox of Master Class
The fine distinction between self-deluded and genuinely tragic.
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The fine distinction between self-deluded and genuinely tragic.
Zarkana: Barely rock, barely opera—but look at those folks fly!
Shakespearean weddings, in and out of town.
'Sex Lives of Our Parents' and 'No Child . '
The closet at Harvard, ca. 1920.
Bouquets to playwright Amy Herzog.
Moisés Kaufman has brought us the great late Tennessee Williams play that never was.
Sing out, Shaggs!
A joy at the end of a downer week.
Start with Derek Jacobi's Lear.
We’re overwhelmed, yet at the same time strangely quarantined from the action.
Oy vey.
Advertised as the story of the Shirelles, this jukebox musical from the creator of 'Million Dollar Quartet' is actually about the white housewife who discovered them.
If it’s been too long since you’ve been ravished by fulminating righteousness, then perhaps it’s time to get reacquainted with Larry Kramer's foundational play about AIDS.
Like its principal characters played by Ben Stiller, Edie Falco, and Jennifer Jason Leigh, this John Guare revival feels, for all its determination, caged in its own dreamworld.
Citizens: Vote Nina Arianda!
Jez Butterworth's green and trenchant play.
Rapping grannies, singing nuns. Who's gonna argue?
Frank Wildhorn is the Chuck E. Cheese of musical theater.
If you don't have tickets to 'Sleep No More.'
"The show infects your dreams."
Not really designed for adult minds.
"For all the characters yack, we just don’t know them the way we should."
Artificial, and proud of it.
Patti LuPone, Jon Cryer, Stephen Colbert, Christina Hendricks, Martha Plimpton, Neil Patrick Harris, etc., etc.