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Filed Under: 000 man, 50 cent, barack obama, catherine zeta-jones, daniel clowes, dead man's cell phone, eminem, inauguration, john francis daley, lost for words, mary louise parker, michael douglas, new line, richard curtis, sarah ruhl, susanne bier, terry zwigoff, the $40, the industry, working title
Filed Under: adrian pasdar, annette bening, atlanta, bbc, blindness (movie), conde nast, dolce's inferno, donald marguiles, fernando meirelles, geffen playhouse, grand central publishing, jane anderson, joanna murray-smith, jonathan karp, jose saramago, julianne moore, katharine mcphee, lincoln center theater, lynn ahrens, marcus hummon, mark ruffalo, mark staufer, mcpheever, michael albanese, movies rock, new york magazine writers who are not us getting book deals, po bronson, quality of life, russell crowe, stephen flaherty, synergalistic, the elephant in the room, the female of the species, the glorious ones, the industry, the last caller, working title
Filed Under: a million little pieces, ashes to ashes, awards, clipse, coram boy, david magee, goldie hawn, james frey, jive, joan root, john simm, julia roberts, kurt russell, michael winterbottom, random house, seven days, shirley henderson, spring awakening, the coast of utopia, the industry, too awesome to make fun of, vanity fair, working title
