Italian Vogue Editor Franca Sozzani Explains Why Steven Meisel Has Shot All Her Covers for So Long

From left, the April, March, and February Italian Vogue covers.

"Many magazines don’t seem to have a connection between one cover and the next, and it becomes hard to tell them apart. Especially today — images can be printed in such a high quality, but that also flattens them out, in a way. There’s a similar problem in fashion. Everyone can buy clothes — the most accessible clothes are not of the best quality, but unless you look at the label, you don’t know who it’s by. It’s this kind of oversaturation that makes me believe we are on the brink of another huge change." []