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Helen Hayes Theatre
240 W. 44th St., New York, NY, 10036
nr. Broadway
212-944-9450
dingdingding from 2345 | Posted on 7/15/09
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I had a great time at this event
NightWingNoVA from 22314 | Posted on 6/1/08
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The 39 Steps achieves brilliant technical performance - in the actors' recreation of the physics of the natural world, their handling of props, and their use of minimal set design to recreate the varied and often fast-paced, shifting environments; the two former items greatly enhance and lend towards making the latter come together and work as the backdrop for the plot. Arnie Burton brilliantly distinguishes each of his many characterizations. Cliff Saunders is only less so; his distinctive voice and mannerisms sometimes make it difficult to differentiate his characters, especially the less distinctive ones. Jennifer Ferrin is fine, except in her over-the-top depiction of Annabella Schmidt. While everyone else in the audience seemed to be having a good time, I found my attention lapsing often because the story just does not warrant the skill brought to it. The convoluted plot only sporadically rises from mundane narrow escapes and chase sequences to justify the hilarity and surrealism the actors bring to the show.
emeott from 11415 | Posted on 1/18/08
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I'm going to be that guy who says, "we saw it in London, and... " THE 39 STEPS was a witty and fun production with a charmingly lo-fi feel. I was familiar with the film, my girlfriend wasn't, yet we enjoyed it equally. The entire plot of the film is included; the fun is in the second-rate company concept: cast shortages with requisite mayhem, the square-jawed leading ham and necessity-is-the-mother-of-invention effects. (A chase on top of a train is recreated with little more than steamer trunks and men flapping their coattails. Brilliant.) The self-conscious approach occasionally lapses into wink-winkiness, and some of the UK stereotypes could be lost on a U.S. audience. I'm curious to hear if the remount tightens those screws. Hard to fault it for much, though, when it's often blasted funny... usually in the "how did they think up that bit" way.
Finian’s Rainbow
This marvelous, slightly unhinged revival succeeds because it refuses to wink at the material or treat it as quaint.
The Understudy
Theresa Rebeck’s warm backstage comedy features a thoroughly excellent trio, but the heart of the show is Julie White’s performance.