Bowie, Not Mendelssohn
Three experts refresh your wedding playlist.
| The Music Heads | ||
|---|---|---|
![]() Jeffrey Tonnesen D.J. at The Box, a dinner-and-theater hotspot on the Lower East Side. |
![]() Eric Steuer Creative Director of Creative Commons, a nonprofit that offers alternative copyright licenses to artists. |
![]() Mike Errico Recording artist and editor of SpiralFrog.com, a site for free, legal music downloads. |
| Enough Already | Now This Is A Party! | ||
|---|---|---|---|
| Processional | |||
| “Bridal Chorus” by Richard Wagner. “It says the night’s going to be filled with the boring stuff you’re ‘supposed’ to do at a wedding.” | “I Want to Make it Alright” by Paul Weller. “The most romantic song I’ve ever heard. It’s an acoustic ballad; there’s a little bit of drum.” | “Any one of classical pianist Christopher O’Riley’s terrific instrumental interpretations of songs by Radiohead, Nick Drake, and Elliott Smith.” | “The First Time Ever I Saw Your Face” by Roberta Flack. “It’ll make you two gaze into each other’s eyes as if for the first time.” |
| Recessional | |||
| “Wedding March” by Felix Mendelssohn. “Listen to it closely: It’s strangely similar to the music in the last scene in Star Wars, where Leia gives her crew medals for destroying the Death Star.” | “First Day of My Life” by Bright Eyes. “He’s singing to this girl, ‘I’m glad I didn’t die before I met you.’ The quintessential love song.” | “Lovely Day” by Bill Withers. “The very first piece of music you and your new spouse will hear as married people—warm and celebratory.” | “Is there anything more joyous-sounding than a straight-up New Orleans second line? It foreshadows a kick-ass reception.” |
| First Dance | |||
| “At Last” by Etta James. ““A staple from the cliché canon. Choosing this is a lot like saying, ‘Well, I suppose this will do.’” | “This Must Be the Place (Naive Melody)” by the Talking Heads. It’s about finding your love, just sweet and simple.” | “Sweet Avenue” by Jets to Brazil. “The most romantic lyrics: ‘Thank you for making me see there’s a life in me / It was dying to get out.’” | “Come Rain or Come Shine” by Ray Charles, Frank Sinatra, Etta James, Billie Holiday, or Mary J. Blige. The other versions are horrifying.” |
| Father-Daughter | |||
| “For Once in my Life” by Stevie Wonder. “Don’t you hear this song while buying deodorant at Duane Reade?” | “Misread” by Kings of Convenience. “It’s more about friendship than romantic love, so you’re safe.” | “I'm Sticking With You” by The Velvet Underground. “A cool dad can pull this off. It’s a little Lou Reed-Maureen Tucker number that is cute without being cutesy.” | “The Rainbow Connection” by Kermit the Frog (Jim Henson). Sentimental, good-hearted, universal. The best choice for this dance.” |
| Mother-Son | |||
| “People skirt this tangled interpersonal dynamic with songs like Cole Porter's “I Get a Kick Out of You,” which, of course, openly discusses cocaine use.” | “Wishing Well” by Terence Trent D’Arby. “It’s a fun eighties pop song. It’s hopeful, and it really gets to people.” | “In My Life” by Johnny Cash. His bare-bones cover of the Lennon-McCartney classic is heartbreakingly sweet.” | “Thank You” or "Family Affair" by Sly and the Family Stone. “Just don’t listen too closely to the lyrics.” |
| Last Dance | |||
| “Two big offenders: ‘Shout’ by The Isley Brothers, from the obscenely excessive montage in Wedding Crashers, and ‘Closing Time’ by Semisonic, which also closes Hooters at the end of the night.” | “Under Pressure” by David Bowie and Queen. “No better way to end the night than with people screaming, ‘Why can’t we give love a chance?’” | “Sensual Seduction” by Snoop Dogg. By now it’s late, the old people have gone home, and everyone’s drunk and acting loopy.” | "I will" by The Beatles. “McCartney at his most buoyant. It’s joyful, hip, and transcends generations, and the message is spot on.” |
From the Winter 2008 New York Wedding Guide



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