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Woven top with embroidered flowers and crystals, $8,430, and feather skirt, $6,110, by Lanvin; Capretto heels by Miu Miu, $550; wedding-cake minaudière by Judith Leiber, $6,995 at Bergdorf Goodman; Elisia 18-karat white-gold and diamond earrings by Bulgari, $13,100; 4.46-carat emerald-cut diamond and platinum ring by Cartier, price upon request. Larkspur maxidress by Simple Silhouettes, $330; ankle-chain sling-back by Valentino Garavani, $775. Duchesse dress, $2,350, and Capretto heels, $550, by Miu Miu.

Mohair tuxedo with satin lapel by Prada, $2,940; shirt by Ermenegildo Zegna, $295; jacquard necktie by Band of Outsiders, similar styles at Barneys New York; patent-leather shoes with grosgrain straps by Tom Ford, $1,430. Tuxedo jacket, $1,200, trousers, $450, and shirt, $175, all by Black Fleece by Brooks Brothers; shoes by Tommy Hilfiger, $200.

Photo: Tina Tyrell

Lightweight-wool tuxedo jacket, $765, and lined pants, $350, by agnès b.; shirt by Brooks Brothers, $88; grosgrain bow tie by Tom Ford, $220; shoes by Tommy Hilfiger, $200. Satin-faced organza gown with hand-appliquéd lace and overlay by White by Vera Wang, $1,300 at David’s Bridal; Himalia platinum, diamond, and South Sea pearl earrings by Cartier, $64,800; 2.02-carat pear-shaped diamond and platinum ring by Cartier, price upon request.

Photo: Tina Tyrell

Silk-taffeta gown by Priscilla of Boston, $3,975; gold, platinum, and diamond pinwheel earrings by Verdura, $13,500; 4.46-carat emerald-cut diamond and platinum ring by Cartier, price upon request. Rose and bupleurum bouquet by Elan Flowers, $175.

Photo: Tina Tyrell

Clockwise from left: Taffeta Linley dress by crewcuts, $168; Adele suede ballet slippers by Bloch, $99 at Beyond 7. Rosebay maxidress by Simple Silhouettes, $330. Parentesi 18-karat white-gold and diamond bracelet by Bulgari, $13,300. Embroidered tulle gown with satin ribbon by Luisa Beccaria for Mark Ingram, $10,550 at Mark Ingram Bridal Atelier; Elisia 18-karat white-gold and diamond earrings by Bulgari, $13,100; Inde Mystérieuse 18-karat white-gold, diamond, and pearl necklace by Cartier, $41,900. Amanda chiffon triple-layer wrap dress by Araks, price upon request; studded-chain sling-backs by Valentino Garavani, $875; Inde Mystérieuse white-gold, diamond, and pearl bracelet by Cartier, $17,700. Taffeta Contessa dress by crewcuts, $268; leather ballet flats with bow detail by Bonpoint, from $220. Rose, vanda orchid, sweet pea, lily grass, and alocasia bouquet by Castle & Pierpont, $165.

Photo: Tina Tyrell

Gracey Stripe Mixy gown by J.Crew, $2,400 at J.Crew Bridal; white-gold, mother-of-pearl, onyx, and diamond earrings by Cartier, $34,800; 4.46-carat emerald-cut diamond and platinum ring by Cartier, price upon request.

Photo: Tina Tyrell

Estelle beaded gown with shirred-silk organza bodice and crystal-beaded belt by Kenneth Pool, $7,950 at Amsale; Himalia 18-karat white-gold and diamond necklace and 4.46-carat emerald-cut diamond and platinum ring by Cartier, prices upon request.

Photo: Tina Tyrell

Silk-faille gown with embroidered carnations and accents of silver bullion by Oscar de la Renta, $13,290 at Mark Ingram Bridal Atelier; Doublet satin halter-back heels by Ivanka Trump, $140 at Lord & Taylor; Himalia platinum, diamond, and South Sea pearl earrings by Cartier, $64,800; 4.46-carat emerald-cut diamond and platinum ring by Cartier, prices upon request.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Tina Tyrell
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