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Mint Inc. Wine Rack

$145 at Sterling Place, 363 Atlantic Ave., nr. Hoyt St., Boerum Hill; 718-797-5667.

Part useful bottle-storage device, part contemporary-design object.

Photos by Danny Kim

Isak Blossom & Bill Mugs

$18 each at Abode New York, 179 Grand St., nr. Bedford Ave., Williamsburg; 718-388-5383.

Cheeky ceramic mugs should help brighten early mornings.

Champagne Flutes

$165 for six at Apartment 48, 12 W. 17th St., nr. Fifth Ave.; 212-807-1391.

These etched jewel-tone glasses from Roost have more personality than conventional crystal.

Bookends

$49.95 at CB2, 451 Broadway, nr. Grand St.; 212-219-1454.

Stabilize your book collection with these naturalistic props.

Hector Esrawe Decanter Set

$120 at Property, 14 Wooster St., nr. Canal St.; 917-237-0123.

A matching tumbler fits snugly atop this cleverly designed glass centerpiece.

Utensil Set

$36 at the Conran Shop, in ABC Carpet & Home, 888 Broadway, at 19th St.; 866-755-9079.

Flipping burgers? Reach for blue. Mashing potatoes? Red all the way.

Stadler Form Dual Fan and Heater

$99.95 at Green Depot, 222 Bowery, nr. Prince St.; 212-226-0444.

Cool off—or warm up—with this mod double agent.

Nick Munro Tea Set

$210 for pot, jug, and sugar bowl at Abode New York, 179 Grand St., nr. Bedford Ave., Williamsburg; 718-388-5383.

Brew tea and check your reflection in this stainless-steel ensemble.

Two-speed Juicer Set

$69.95 at Broadway Panhandler, 65 E. 8th St., nr. Broadway; 212-966-3434.

Bodum’s electric press churns out fresh juice, sans stickiness.

Delilah Plates

$5.95 each at Crate & Barrel, 611 Broadway, at Houston St.; 212-780-0004.

Porcelain dishes look fit for a dinner party but are suitable for everyday use.

Bodum Fyrkat grill

$60 at Whisk, 231 Bedford Ave., nr. N. 4th St., Williamsburg; 718-218-7230.

A 13.4-inch charcoal grill is perfect for patios, balconies, and picnics.

J-me Magazine Rack

$60 at the Future Perfect, 55 Great Jones St., nr. Bowery; 212-473-2500.

Chrome-coated steel makes your favorite periodicals defy gravity.

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York

Slide Header

Address, date, or similar info here.

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York/Courtesy of the Museum of Modern Art, New York
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