Office Temp

Photo: Thomas Loof

He considers himself a nomad,” says Dutch interior designer Ghislaine Viñas of her client, tech guru Chris Anderson. The British new-media entrepreneur (he founded and sold Future Publishing and Imagine Media) now focuses most of his energy on the ted (Technology, Entertainment, Design) conferences—the Davos of the dot-com world. “He has been influenced by so many cultures. He really wanted that to come through.”

Anderson planned to rent the quintessential 4,000-square-foot Tribeca loft for just one year, so he gave Viñas only three months to decorate according to some very specific demands. “There are speakers and intimate gatherings, and then there are events with 300 people in here, or 6, and they need to feel at home,” says the designer, surveying the swooping mesh walls and undulating conference table.

Viñas and stylist Katherine Hammond decided to divide the space with two giant mesh walls that allow light to filter through while demarcating work and play areas. The massive conference table, designed by Viñas with Brooklyn firm Atlas Industries, is a far cry from the standard dark plank boards of old. It’s a multipurpose slab of white lacquered wood anchored by a base of metal strips that beam light from within. A white platform base heightens the drama of the screened-off lounge area, further establishing it as a separate room.

“The hardest part of a project is at the beginning, when you are trying to get inside a client’s head,” says Viñas. The landscape she has created for the many-layered world of a global entrepreneur strikes the perfect balance between work and play.

(1) The Screens
The concept came to Viñas at an Annie Leibovitz exhibit, where scrims were used in place of walls. These were designed by Tom Hennes of THINC.

(2) The TEDsters Team
Workstations are behind the screen.

(3) The Table
At 27 feet, this strip of undulating wood, inspired by a Wendell Castle design and built by Atlas Industries, can separate into three tables.

(4) The Chairs
Assorted mid-century moderns redone in Dune’s green embossed vinyl by Five Star Upholstery.

(5) The Rug
From Aronson’s.

Photo: Thomas Loof

(1) The Lamp
The Castiglioni knockoff “Arco Lamp” is from White on White.

(2) The Cow Head
It’s from Boca Grande in Soho.

(3) The Banquette
Custom-made by Mauricio Aguirre, a cabinetmaker from Harrison, New York. Upholstered by Five Star.

(4) The Throw Pillows
From ABC Carpet & Home .

(5) The Chair
Viñas found this vintage Mario Sabo at Art and Industrie after searching for it for a month.

(6) The Coffee Table
From Jacques Carcanagues, it’s from India, where Anderson spent part of his childhood. The vase is from Mxyplyzyk.

(7) The Ottoman
Designed by Viñas and custom-made by Aguirre.

Photo: Thomas Loof

(1) The Overhead Lamps
By Ingo Maurer, they’re fashioned from Campari bottles.

(2) The Kitchen
Rivelli Studio architects had renovated the loft and installed the Boffi kitchen before Anderson rented the space.

(3) The Island
In yellow-and-white lacquered wood, it was designed by Viñas and constructed by Aguirre, who also made the lounge area’s platform base.

(4) The Bar Stools

Photo: Thomas Loof

(1) The Industrial Bookshelves
Self-assembly, from

(2) The Lamp
From Artemide.

(3) The Book
At 150 pounds and five-by-seven feet, Bhutan is the largest book in print in the world.

(4) The Love Seat
Anderson brought it with him from California. Viñas upholstered it in orange cotton velvet.

(5) The Tibetan Rug
From Stephanie Odegard.

(6) The Wood Stools
They’re low-cushioned, from Jacques Carcangues.

Office Temp