ARCHIVES

The Stuttgart Ballet hedges its bets, sticking to proven crowd-pleasers.

Mark Morris leaves audiences searching for a message in his brand new "Medium" -- but wows them with the great "Dido and Aeneas."

ABT's cold-hearted "Snow Maiden."

Another promising crop of young talent from the School of American Ballet.

Gimmicky emptiness from the very popular Parsons Dance Company.

This time, it's the NYCB doing Jerome Robbins's "Les Noces."

After years of backsliding, the New York City Ballet has recaptured the precision that its signature Balanchine repertory demands.

The gifted young dancers in Eliot Feld's Ballet Tech have theatrical flair to burn. But the name of their troupe is misleading.

Doug Varone's "Bel Canto" is laugh-out-loud funny.