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Call him a juggler, call him a magician, call him -- as the MacArthur folks did -- a genius: Michael Moschen has a way with inanimate objects that makes you wanna dance.

At the Lincoln Center Festival, a safe repertoire passes for experimental and guarantees an audience applauding its own "daring" taste.

A revamped Bolshoi Ballet makes its first New York appearance in years -- but is its new, streamlined look a change for the better?

Need more sad evidence that the once-brilliant City Ballet has lost its luster? This year's Diamond Project should convince you.

Baryshnikov's White Oak project honors the choreographers of the Judson Dance Theater, who loudly rejected dance dogma decades before he did.

The report cards are in for the students of the School of American Ballet -- and for their counterparts in the platitudinous new movie "Center Stage."

In the murky new American Ballet Theatre "Swan Lake," an emphasis on speeding things along leads to some ill-advised omissions.

New works from the City Ballet's Diamond Project suggest that its money might be better spent; Trisha Brown succeeds despite a tin ear.