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In its fiftieth-anniversary re-creation of Balanchine's best works, the New York City Ballet leaves out an essential ingredient: imagination.

"Lettres d'Amour" is the striking, titillating highlight of the new Alvin Ailey season.

The New York City Ballet's fiftieth anniversary stirs thoughts of the days of Balanchine and illustrious dancers past.

For Lar Lubovitch, 30 turns out to be really something; at the City Center, Twyla Tharp comes down firmly on the side of the cerebral.

Susan Marshall introduces a moving new piece, Brooklyn-bound later this year, at Jacob's Pillow.

The Hamburg Ballet and its beloved choreographer have trouble translating.

The Stuttgart Ballet hedges its bets, sticking to proven crowd-pleasers.

Mark Morris leaves audiences searching for a message in his brand new "Medium" -- but wows them with the great "Dido and Aeneas."