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Jerry Saltz

July 16, 2007 | The Art Review
Cocktail Culture

The European megashows, under the glitz, are all about the power of the unexpected mix.

July 2, 2007 | The Art Review
Ugh, Venice

Biennials are boring and bloated—yet we trudge from one to the next. There must be a better way to see art.

June 18, 2007 | Feature
Beyond Serra

A critic’s five favorite public artworks, all on view for free.

June 18, 2007 | The Art Review
Buona Serra

A museum custom-built for Richard Serra delivers on its wishes for shock and awe.

June 11, 2007 | The Art Review
A Real Bummer

The Whitney’s “Summer of Love” show needs to come down from its psychedelic high. The stuff just wasn’t that good.

June 4, 2007 | The Art Review
Deal or No Deal

Takashi Murakami’s show is nakedly commercial; “Underdog” strikes an opposite pose, to much the same effect.

May 21, 2007 | The Art Review
It’s Boring at the Top

Is Andreas Gursky—the highest-priced photographer alive—running out of ideas?

May 14, 2007 | The Art Review
Conspicuous Consumption

Rirkrit Tiravanija once again makes dinner for gallerygoers—this time, with self-references as a side dish.

April 30, 2007 | The Art Review
Not Buying It

If “Not for Sale,” a glib put-down of the art marketplace, tells us anything, it’s that P.S. 1 needs to make some changes.

April 23, 2007 | The Art Review
Get Me a Brush, Stat!

The National Academy’s splendid show catches a moment when the New York art world thought painting was dead—and took heroic measures to revive it.