Skip to content, or skip to search.

Skip to content, or skip to search.


Jerry Saltz

June 7, 2010 | The Art Review
Sincerity and Irony Hug It Out

At P.S. 1’s “Greater New York,” a new union of opposing attitudes.

May 31, 2010 | The Art Review
In the End, It Was All About You

How “Marina Abramovic: The Artist Is Present” turned the viewer into the viewed.

May 24, 2010 | The Art Review
Not Just Pretty Gardens

The untamed beauty of Monet’s last paintings.

May 10, 2010 | The Art Review
The Picassos From the Basement

The Met’s enormous show of its own collection is short on Cubism—which, in a way, is a blessing.

April 19, 2010 | The Art Review
Let’s Reconsider

I found something to like about Marlene Dumas.

April 12, 2010 | Feature
What Do You See?

A theater critic and an art critic debate a play about Mark Rothko.

April 5, 2010 | The Art Review
Less Than the Sum of Its Parts

“Skin Fruit,” the New Museum’s show curated by Jeff Koons, highlights the cracks in the institution.

March 8, 2010 | The Art Review
Change We Can Believe In

The Whitney Biennial is thoughtful, humanly scaled, and blessedly low on hype.

February 22, 2010 | The Art Review

Twenty years ago, Wolfgang Tillmans reimagined what a photo could be. Now he’s doing it again.

February 15, 2010 | The Art Review
How I Made an Artwork Cry

In Tino Sehgal’s work, the viewer gains unexpected power.